Summary low house with blue shutters. Analysis of Yesenin's poem "Low house with blue shutters

Yesenin's great talent, in my opinion, manifested itself most of all in that part of his poetry that is dedicated to pure Russian nature with its copses and villages with rickety huts. Knowing firsthand the modest life of the peasants, the poet is surprised at the spiritual generosity and warmth that comes from these people.

Already as an adult, living in the city, he sincerely longs for the village, for its natural beauty, for modest but honest residents. So is the poem "Low House with blue shutters”, written in 1924, once again returns the author

In his rural childhood and youth. The memory of the poet is bright and pure.

In a peculiar way, Yesenin remembers and honors the past, using his own word formations in his poems, which he receives by changing the expressions of his grandmother and great-grandmother. Not foreign words, as it is fashionable today, but the original Russian poet transforms for his works.

And each line of it is filled with unspoken love for the small homeland, for the villagers, for relatives. With tenderness, he speaks of cranes, unobtrusively referring to the poverty of the peasants:

Because in the vastness of the fields
They have not seen a full life ...

But it is holy poverty that causes the brightest

Feelings in the soul of the poet:
To this day I still dream
Our field, meadows and forest,
Covered with gray chintz…

An image of a rural woman with hard-working hands, dressed in modest clothes, rises before her eyes. Who does Yesenin describe: grandmother, mother or long-suffering Russia? Who does he pity, for whom does he cry? The author so merged with rural nature, so subtly conveyed his feelings and experiences, that the reader's heart aches, and a tear wells up in his eyes.

Yesenin's unique talent was highly valued by both his contemporaries and followers. Sincerely bowing to the ingenious simplicity of the great poet, a true connoisseur of Russian nature, its simple nondescript beauty, poets, writers and critics admired Yesenin's gift. And until the end of his days, he remembered his village and yearned:

Because so and recent days
Years are no longer young ...
Low house with blue shutters
I will never forget you.

Yesenin often recalled his small homeland, a village in the Ryazan region, in poetry. His early works idealized the village, embellished it, threw a romantic veil over it. Poems of the twenties, the last period of the life of the poet who died early, on the contrary, are permeated with deep sadness, as if covered with a “gray chintz”, which is difficult to distinguish from a shroud. One of the works recent years- "Low house with blue shutters", the date of writing of which, 1924, is affixed to the time of the first publication.

The main theme of the poem

The poem is a declaration of the poet's love for the parental home, which appears in the memories from the "twilight" of bygone years. The mood of the lyrical hero is indicated already from the first lines: the poor, old house touchingly takes care of its beauty, decorating itself with blue shutters. The same sad and touching love for him painfully disturbs the heart of the poet. He is sad that now “no longer young years are blowing over him”, and the former admiration for his native places has gone, he was replaced by “the tenderness of the sad Russian soul.”

A flock of cranes became Yesenin's recognizable image of late lyrics. And here she "with a cooing" flies into the gray distances. The poet grieves that under the "poor skies", among birches, blossoms, and crooked and leafless brooms, the life of a crane was not satisfying and even dangerous - it was easy to die "from a robbery whistle."

As you can see, the former strength, freshness, "riot of eyes and flood of feelings" that seethed in the poet's early "village" poems, gave way to sadness, regret about the past years. The poems about the village are still beautiful, but now they attract the reader with their dim beauty, the faded colors of the eternal autumn landscape. Twice in the poem the image of a cheap, gray chintz is used, with which heaven is compared. The poverty of rural nature even more touches the heart of the poet, and after him the reader.

The lyrical hero frankly says that he will never return to his beloved “wilderness”, because returning there means “an abyss” for him, being forgotten. The reader plays the role of an occasional interlocutor, before whom one is not ashamed to confess one's spiritual weakness or a fatal illness. In the poem, the lyrical hero is sincere, as in a confession, he reveals to the reader a sick soul in which sadness has settled.

Structural analysis of the poem

The measured syllable with the use of iambic trimeter allows you to tune in to the melancholy of the lyrical "I" of the poet. Many long vowel sounds in words and conjunctions. The poet strives not to interrupt the monotonous flow of poetic speech, which most fully corresponds to the theme and objectives of the work. The emphasis in a poetic line is made once, when the cross-rhyme is abandoned, when the poet admits that he would like to get rid of his tormenting love for his native places, but “cannot learn” this. The poem is emotionally strongly colored, evokes a response to a lyrical confession.

With the poem “Low House with Blue Shutters”, Yesenin reveals to the reader the secret corners of his soul, complains about the longing that has gripped her, confesses his eternal love for his native places.

This poem betrays the reverent attitude of the poet to the small Motherland. The very house to which Yesenin addresses from the first lines becomes its symbol. The house is clearly without a second "rich" floor, and yet, perhaps even then, it had already grown into the ground from old age. But here they care about beauty - they paint the shutters in the beautiful color of the sky.

Sergei Yesenin declares that he will never forget this house, although many years have passed, but it seems that everything was just yesterday. The poet continues to dream of "our" field, forest, meadows. Since childhood, he considered his own, native to what is around this house. What was so special about this low house? Actually, the house itself is not described in the poem, remaining a symbol.

Twice (at the beginning and end of the poem) the poet here compares her pale and "poor" sky with poor and gray chintz, but no poverty makes the poet's love for his native land less. The theme of poverty continues in the "skinny distance", in the cranes, which never ate well ... The author says that he fell in love with these birds, that is, one can conclude that earlier they could irritate him with their dreary cooing. These cranes saw only, like him, crooked trees, and heard only the whistle of a nightingale. Here, as if, the image of a nightingale-robber is seen, because it is written further that one can die from this whistle.

Yesenin says that with age he "forgot how" to admire, stormy feelings left due to fatigue and disappointment. And yet this quiet feeling for the house and everything around it has been preserved, and it warms. It is because of this, but for each of his own house or yard, a tender and sad feeling is born in the heart. This is how patriotism and the soul itself develop.

However, Yesenin himself admits that he would like to stop loving this Russian sadness and poverty, but he cannot. And no one who has fallen in love with Russia can forget it either.

Analysis of the poem Low house with blue shutters according to the plan

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Low house with blue shutters analysis of Yesenin's poem according to plan

1. History of creation. The poem "Low house with blue shutters ..." was written by S. Yesenin in 1924. At this time, nostalgia for his small homeland and for the past is increasingly heard in the poet's work. The work was first published in the same year in the Russian Contemporary magazine.

2. Genre of the poem- landscape lyrics with elements of the author's philosophical reflections.

3. The main theme of the work- the longing of the poet for his native village. The central image that appears in the very first line is "a low house with blue shutters." It symbolizes not only the hearth, but all the former happy life author. After moving from the village of Konstantinovo to Moscow, Yesenin plunged headlong into a noisy and hectic life. big city. Over the years, he has endured many sufferings and failures. The poet was never able to arrange his personal life.

He loved and was loved, but all novels invariably ended in parting. Yesenin tried to understand and adapt to the new communist thinking and way of life, but gradually realized that this was not his way. The poet was infinitely sorry for the patriarchal Russia that was fading into the past. For this, he was subjected to fierce criticism and was under suspicion.

Feeling deep dissatisfaction with life around him, Yesenin found salvation in alcohol. Poetry was another remedy. The poem "A low house with blue shutters..." is the poet's appeal to the pictures of his native landscape. Yesenin admits that Russian nature may seem poor and unsightly ("gray", "cheap chintz", "crooked and leafless broom"). But it is this sad picture that makes the poet's heart shrink tremblingly. He experiences a "sad tenderness", which the rampant city life could not drown out.

Yesenin's love for his small homeland is an innate feeling. He is impossible to get rid of. Memories of the "low house" warm the poet's soul in the most difficult situations. He never forgets that in Russia there is a place where he was born and where he can return in search of solace.

4. Composition of the work ring. The first two lines are exactly repeated in the final, emphasizing the importance of the central image.

5. The size of the poem- tripartite anapaest. The rhyme is cross, with the exception of the fifth and sixth stanzas (encircling rhyme).

6. Expressive means. Yesenin emphasizes the modesty of the Russian landscape with the help of epithets: "gray", "skinny", "cheap". The metaphors used by the poet are original: "repeated in the twilight of the year", "chintz ... of heaven." Yesenin traditionally refers to personification: the cranes "did not see", "heard". The poet, despite criticism, does not refuse common folk and local words: "cooing", "birch and bloom", "dear howl".

7. Main idea works - every person in the soul should keep the holy image of his small homeland. This image allows you to survive difficult situations, gives self-confidence. For Yesenin, "a low house with blue shutters" is a saving beacon to which he focuses throughout his life.

Even if we read only the first line of the poem, it instantly draws in our minds the image of the amazingly talented and bright poet of the "peasant hut", S. Yesenin. Linking his artistic world with village life, the poet, throughout his entire work, assigns one of the central places of his poetry to nature, which, in his understanding, is united with his native home, the Ryazan land.
The poem "Low house with blue shutters ..." was written in 1924. It reflects the poet's lyrical reflections on the homeland that he once left. The main idea of ​​the poem is contained in its first stanza:
I will never forget you
Were too recent
Resounding into the dusk of the year.
In the center of the poem is the lyrical "I" of the poet himself. Yesenin embodies in poetic lines a kind of confession of a person to his native home, his recognition in eternal memory and love of her alluring power. Despite the years separating the poet from his bright and happy youth, he did not forget the beauty and charm of his native nature.
The third stanza is the ideological climax of the poem. It reveals the whole spiritual world of the poet, which has changed a lot and at the same time retained its former features. The years extinguished in the poet the ability to admire the surrounding reality. Now he does not want to "disappear" in the rural outback. However, the special tenderness of his “Russian soul” has not disappeared, it is she who pulls the poet’s heart at the thought of his abandoned small homeland:
I can't admire
And the abyss would not want to be in the wilderness,
But, probably, forever I have
The tenderness of the sad Russian soul.
Yesenin's poem is remarkable in that the poet is not afraid to reveal a complex contradictory feeling, to touch on the secret sides of his soul. On the one hand, he wants to fall out of love with the land of his youth, trying to "learn" to forget it. But still, the homeland remains dear to the poet and brings the sad joy of memories to the heart:
As much as I would like not to love,
I still can't learn
And under this cheap chintz
You are sweet to me, dear howl.
The poet's emotional appeal to his homeland becomes his frank declaration of eternal love. The final stanza of the poem echoes the words of the first. Thanks to this technique, the work has a ring composition, which is why it acquires semantic completeness, ideological completeness.
Looking back into the past, the poet again speaks of a memory that years of separation cannot erase:
Because so and recent days
Years are no longer young ...
Low house with blue shutters
I will never forget you.
In the last lines, the poet again refers to the central image of the poem - the image of the house. The capacity of expression in combination with color symbolism creates a unique image of a “village hut”. The value of blue, blue color in the poet's work is great. Blue for Yesenin is not only an eternal additional, but also a dominant color. It establishes an echo with other shades. The poet believed that something blue was hidden in the very name of Russia. He said so. Rozhdestvensky: “Russia!
What a good word. ... And "dew", and "strength", and "blue" something! By
folk tradition, blue (light blue) was considered not an everyday color, but a symbolic one, meaning "divine".
The “low house with blue shutters” symbolizes that native land, that “blue Russia” that the poet lost when he once left it. Sincerity and depth of experience underlie this poem. Perhaps that is why it fascinates the reader and immerses him in the contradictory and therefore beautiful world of Yesenin's soul.